Lynnette Seah Gives a Treat

On Saturday 27th January, my friends, family and I were treated to a mini-recital by Lynnette, accompanied by Shane Thio, the SSO’s pianist. On the programme:

  • Gluck: Melodie
  • Beethoven: Romance in F
  • Kreisler: Praeludium & Allegro
  • Rachmaninov: Vocalise
  • Kreisler: Londonderry Air
  • Massenet: Meditation

Lynnette & Shane have been playing together since 1985, and it showed.


After the mini-recital we had a taste of Lynnette’s other talent, cooking, specifically Peranakan cuisine from Lynnette’s Kitchen.




Help the Disabled, Poor & Needy

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For the coming holiday season, please help the less fortunate by buying gifts from ACTS Market, a social enterprise startup based in Singapore. It is an online marketplace for non-government organisations to sell handicrafts and other goods made by the disadvantaged people they help:

  • Former child slaves
  • Disadvantaged women
  • Impoverished families
  • Orphans & needy children
  • People with autism
  • Recovering mental patients
  • Rehabilitated street-ladies
  • The hearing-impaired
  • Victims of human trafficking
  • Widows & single mothers

If you live in Singapore, then you can use the coupon below to enjoy free local delivery for purchases of $100 or more.


The Omega gets its annual health check

Walter Haas arrived bright and early this last Saturday 20th June. He is in Singapore as usual to prepare the piano for the annual Singapore International Piano Festival. This year the Festival returns to the beautifully refurbished Victoria Concert Hall. I will be attending Imogen Cooper’s recital on Thursday 25th June.

First thing he did was of course to tune the piano. This took quite a while because it was punctuated by lots of chatting and a nice cup of coffee. There wasn’t much to be done at all. The action is still silky smooth, and the hammers in great shape. But then I have not played all that much because I’ve been too busy. And yet, despite the relatively light use, all but one of the inharmonic strings has ‘broken in’. The sole recalcitrant is one strong in the note just above the highest break, and even that was not so bad.

His verdict? The piano has settled in very well. The tone is rich and glorious, the sustain beautiful. Ideal for chamber music, he declared.

Walter by the way tunes a mild Well temperament, not that far away from the EBVT III that I tune myself. We both agree that Equal is probably the least sympathetic temperament. No key colour.

No pictures this time. I was so absorbed talking to him that I completely forgot to take any!

Acoustic treatment for a piano practice room: Galleria Music School

The customer is Galleria Music School, in Sin Ming Plaza Tower 1, Singapore. There is an upright piano in each teaching studio, backed up against a wall. The studios are small, carpeted, but with highly acoustically reflective walls of glass and plastered brick. As a result the sound level in them is intolerably high, and the pianos are tonally bright and ‘jangly’. In two studios the problem has been addressed by putting two UNISON SAP-75 panels in a six-inch gap between the rear of the piano and the wall. The panels are in portrait orientation and sit on the carpeted floor; no floor stands are used. The panels have cut the loudness of the pianos. The tonal character of the pianos has also been greatly improved – they are much more tonally balanced.

Pictures to follow.

Cross-posted from here.

Acoustic treatment for a music practice room: Yamaha AvantGrand N3 in a bedroom

The customer Mr K is an avid amateur pianist. He owns two grand pianos (Sauter Delta, Shigeru Kawai SK-6), and a Yamaha AvantGrand N3 hybrid piano. The Sauter and Shigeru Kawai grand pianos are located in the living room, whereas the Yamaha AvantGrand is located in a small bedroom.

The AvantGrand N3 is capable of playing as loud as a real piano. Although the loudness can be adjusted via the AvantGrand’s volume control the room imparts a ‘boxy’ colouration to the lower half of the keyboard, and a rather harsh ‘glare’ to the upper half of the keyboard. Bass articulation is also indistinct because of strong room modes. Mr K uses four UNISON SAP-75 panels on floor stands and six UNISON D-C diffusors on the ceiling to tame the room colouration. The ceiling diffusors also eliminated the intense slap-back echo off the ceiling, by dissipating the reflections rather than absorbing the sound.

Pictures to follow.

Cross-posted from here.